Aikido Vocabulary List |
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JAPANESE |
SOUND |
MEANING |
COMMON AIKIDO WORDS |
AIKIDO |
EYE-KEY-DOH |
AI . . Harmony
KI . . Spirit
DO . . The Way or Path |
AIKI TAISO |
EYE-KEY TIE-SOH |
Aikido exercises |
ATEMI |
AH-TEH-MEE |
Strikes, blows |
BOKKEN |
BOH-KEN |
Wooden sword used in practice |
BUDO |
BOO-DOH |
Martial way |
BUJUTSU |
BOO-JOOT-SOO |
Martial art |
BUSHIDO |
BOO-SHEE-DOH |
Warrior's Code. ėThe Way of the Warriorî |
DAN |
DAHN |
Aikido rank, Grade holder, black belt rank |
DESHI |
DAY-SHE |
Student, pupil, disciple |
DOJO |
DOH-JOH |
Training hall (formerly a term used by Buddhist priests in reference
to their place of worship) |
GAESHI |
GUY-E-SHE |
To reverse |
GI |
GEE |
Training uniform |
HAKAMA |
HA-KAH-MAH |
Skirted pants worn over the gi. Typically worn by yudansha |
HANMI |
HAHN-MEE |
Stance with one foot forward and weight |
HANMI HANDACHI |
HAHN-MEE HAHN-DAH-CHE |
Nage is kneeling and the opponent attacks from a standing position |
HANTAI |
HAHN-TIE |
Reverse |
HIDARI |
HEE-DAH-REE |
Left ( direction) |
IRIMI |
EE-REE-MEE |
Entering technique |
JIYU WAZA |
EE-YOU-WAH-ZAH |
Free style practice |
JO |
JOH |
Wooden staff used in training |
KAMAE |
KAH-MYE |
Stance or posture |
KATA |
KAH-TAH |
Form, practice usually with a bokken or jo |
KATANA |
KAH-TAH-NAH |
Japanese sword |
KEIKO |
KAY-KOH |
Practice session |
KEN |
KEN |
Japanese sword |
KI |
KEY |
Spirit - he vital force of the body; Universal Energy; a stream
or flow of positive energy |
KIAI |
KEY-EYE |
A piercing scream or cry with practical and psychological value
meaning ė Meeting of the Spiritsî |
KIHON |
KEY-HON |
Basic form of a technique |
KOHAI |
KOE-HIGH |
A junior student |
KOKYU |
KO-Q |
Breath power - the coordination of ki flow with breathing |
KOTAI |
KO-TIE |
To change turns |
KYU |
Q |
Aikido rank before black belt |
MAAI |
MAH-EYE |
Distance between uke and nage meaning ė Harmony of Spaceî |
MIGI |
MEE-GHEE |
Right (direction) |
NAGE |
NAH-GAY |
Throw - The person who throws |
OBI |
OH-BEE |
Belt |
OMOTE WAZA |
OH-MOE-TEY |
Entering in front of |
O'SENSEI |
OH-SEN-SAY |
The great Teacher - Affectionate term for Morihei Ueshiba, the
founder of Aikido |
RANDORI |
RAHN-DOH-REE |
Free style - free exercise |
REI |
RAY |
Salutation - bow |
REIGI |
RAY-GHEE |
Etiquette |
SEMPAI |
SEM-PIE |
Assistant teacher |
SEIZA |
SAY-ZAH |
Formal kneeling position |
SHIHAN |
SHE-HAN |
Title for a teacher who has ranked to at least sixth dan |
SHODAN |
SHOH-DAHN |
Holder of the first grade of black belt |
SHOMEN |
SHOW-MEN |
The upper seat, the shrine which houses the picture of the Founder
and spirit of Aikido. Not a religious symbol, but a spiritual one |
SOTO MAWARI |
SOH-TOH-MAH-WAH-REE |
Turning outside |
SUBURI |
SOO-BOO-REE |
A single movement using the ken or jo in a solo practice |
SUWARI WAZA |
SOO-WAH-REE WAH-ZAH |
Sitting technique |
TACHI |
TAH-CHEE |
Japanese sword |
TACHI DORI |
TAH-CHEE DOH-REE |
Technique of taking an opponent's sword and throwing him |
TACHI WAZA |
TAH-CHEE WAH-ZAH |
Standing technique |
TAIJUTSU |
TIE-JOOT-SOO |
Body arts - The techniques of Aikido done without weapons |
TANTO |
TAHN-THO |
Knife |
TEGATANA |
TEY-CAH-TAH-NAH |
Sword blade of the hand |
UCHI |
OO-CHEE |
To strike |
UCHI DESHI |
OO-CHEE DEH-SHE |
Live in student; personal student or the disciple |
UCHI MAWARI |
OO-CHEE-MAH-WAH-REE |
Turning inside |
UKE |
OO-KAY |
One who receives; the person being thrown; the attacker |
UKEMI |
OO-KEH-MEE |
Breakfall - the art of falling |
UESHIBA |
OO-EH-SHEE-BAH |
Morihei Ueshiba - The founder of Aikido (1883 - 1969) |
URA WAZA |
OO-RAH WAH-ZAH |
To the rear |
WAZA |
WAH-ZAH |
Techniques |
YUDANSHA |
YOU-DAHN-SHAH |
Black belt grade holder(s) |
NUMBERS |
ICHI |
EE-CHEE |
1 |
NI |
NEE |
2 |
SAN |
SAHN |
3 |
SHI |
SHEE |
4 |
GO |
GOH |
5 |
ROKU |
ROH-KOO |
6 |
SHICHI |
SHEE-CHEE |
7 |
HACHI |
HAH-CHEE |
8 |
KU |
KOO |
9 |
JU |
JOO |
10 |
JU ICHI |
JOO-EE-CHEE |
11 |
NI JU |
KNEE-JOO |
20 |
SAN JU |
SAHN-JOO |
30 |
SAN JU ICHI |
SAHN-JOO-EE-CHEE |
31 |
COMMON PHRASES |
KONNICHI WA |
KOHN-NEE-CHEE WAH |
Hello, Good day (used after 10:00 a.m. until evening) |
OHAYO GOZAIMASU |
OH-HAH-YOH GOH-ZAH-EE-MAHSS |
Good Morning (used before 10:00 a.m.) |
KOMBAN WA |
KOHM-BAHN WA |
Good Evening |
OYASUMI NASAI |
OH-YAH-SOO-MEE NAH-SIE |
Good Night |
SAYONARA |
SAH-YOH-NAH-RAH |
Good-bye |
DOZO |
DOH-ZOH |
Please; go ahead . . . |
DOMO ARIGATO GOZAIMASHITA |
DOH-MOH AH-REE-GAHTOH GOH-ZAH-EE-MAH-SHEE-TAH |
Thank you very much |
ONEGAI SHIMASU |
OH-NAY-GUY-SHEE-MAHSS |
Spoken when on wishes to practice with a fellow student |
GOMEN NASAI |
GOH-MEN HAH-SIE |
I'm sorry, excuse me |
DO ITASHIMASHITE |
DOH EE-TAH-SHEE-MAH-SHEE-TAY |
Don't mention it; you're welcome |
ABUNAI! |
AH-BOO-NIE |
Watch out! Be careful! |
OGENKI DESU KA? |
OH-GEHN-KEY-DAY-SOO-KAH |
How are you? |
SHITSUREI SHIMASU |
SHE-T-SOO-RAY-SHE-MAH-SOO |
Excuse me |
ITAI! |
EE-TIE |
Ouch! |
AIKIDO TECHNIQUES |
GOKKYO |
GOH-KYOH |
Defense against knife attack, similar to Ikkyo; 5th technique |
IKKYO |
EEK-YOH |
Technique where you turn your partner's arm over and take him
down on his stomach to the ground; 1st technique |
IRIMI NAGE |
EE-REE-MEE NAH-GEH |
Technique where you enter behind your partner and throw by breaking
his balance backwards |
JUJI GARAMI |
JOO-JEE GAH-RAH-MEE |
Throw where you cross partners arms in a ė + ė and throw |
KAITEN NAGE |
KAI-TEN NAH-GEH |
Technique where you revolve your partner's arm and body to throw
him |
KOKYU DOSA |
KOHK-UYOO DOH-SAH |
Seated exercise which uses ki extension to throw and pin partner |
KOKYU NAGE |
KOHKYOO NAH-GEH |
Throw in which, without applying pressure to partner's joint,
you use the timing of body and spirit to throw |
KOSHI NAGE |
KOH-SHEE NAH-GEH |
Hip throw |
KOTE GAESHI |
KOH-TEH GAH-EH-SHEE |
Throw accomplished by twisting partner's wrist |
NIKKYO |
NEEK-YOH |
Technique where you bend your partner's wrist, making him drop
to the ground; 2nd technique |
SANKYO |
SAHN-KYOH |
Technique where you twist your partner's arm and wrist, making
him drop to the ground; 3rd technique |
SHIHO NAGE |
SHEE-HOH NAH-GEH |
Four direction throw; You spin under your partner's arm to twist
it and throw |
TAI NO HENKO |
TIE NOH HEN-KOH |
Basic blending practice |
TENCHI NAGE |
TEN-CHEE NAH-GEY |
Heaven and earth throw; one hand points to heaven, he other to
earth to throw |
YONKYO |
YON-KYOH |
Throw accomplished by pressing nerves in the arm; 4th technique |
AIKIDO ATTACKS |
GYAKU TE TORI |
GEE-YAH-KOO TEH TOH-REE |
Cross hand grab, i.e. right to right |
HIJI DORI |
HEE-JEE DOH-REE |
Elbow grab |
KATA TORI |
KAH-TAH-TOH-REE |
Shoulder grab |
KATATE TORI |
DAH-TAH-TEH TOH-REE |
Wrist grab (same side) |
KATATE TORI HANTAI |
DAH-TAH-TEH TOH-REE HAHN-TIE |
Same as gyaku te tore |
MEN UCHI |
MEN-OO-CHEE |
Strike to the head |
MOROTE DORI |
MOH-ROH-TEH DOH-REE |
Partner attacks by grabbing on wrist with both hands |
MUNE TSUKI |
MOON-EH TSKEE |
Chest or stomach strike |
MUNE DORI |
MOON-AH DOH-REE |
Lapel grab |
RYOTE TORI |
REE-OH-TEH TOH-REE |
Partner attacks by grabbing both wrists |
SHOMEN UCHI |
SHOH-MEN OO-CHEE |
Strike to the top of the head |
USHIRO ERI DORI |
OO-SHEE-ROH EH-REE DOH-REE |
Rear collar grab |
USHIRO HIJI TORI |
OO-SHEE-ROH HEE-JEE TOH-REE |
Elbow grab form the rear |
USHIRO KATA TORI |
OO-SHEE-ROH KAH-TAH-TOH-REE |
Rear shoulder grab |
USHIRO KATATE TORI |
OO-SHEE-ROH KAH-TAH-TEH TOH-REE |
Rear wrist grab |
USHIRO KUBI SHIME |
OO-SHEE-ROH KOO-BEE SHEE-MEH |
Choking with one hand around the neck form the rear |
USHIRO TORI |
OO-SHEE-ROH TOH-REE |
Rear bear hug |
YOKOMEN UCHI |
YOH-KOH-MEN OO-CHEE |
Side of the head strike |
DIRECTIONS OF AIKIDO TECHNIQUES |
IRIMI |
EE-REE-MEE |
Entering (same an Omote waza) |
TENKAN |
TEN-KAHN |
Turning (same as Ura waza) |
OMOTE WAZA |
OH-MOH-TEH WAH-ZAH |
Technique which goes to your partner's front |
URA WAZA |
OO-RAH WAH-ZAH |
Technique which goes to your partner's rear |
PARTS OF THE BODY |
ASHI |
AH-SHEE |
Foot or leg |
ASHI KUBI |
AH-SHEE-KOO-BEE |
Ankle |
ATAMA |
AH-TAH-MAH |
Head |
HANA |
HAH-NAH |
Nose |
HIJI |
HEE-JEE |
Elbow |
HIZA |
HEE-ZAH |
Knee |
KATA |
KAH-TAH |
Shoulder |
KOSHI |
KOH-SHEE |
Hip |
KUBI |
KOO-BEE |
Neck |
KUCHI |
KOO-CHEE |
Mouth |
ME |
MAY |
Eye |
MIMI |
MEE-MEE |
Ear |
MUNE |
MOON-EH |
Chest |
ONAKA |
OH-NAH-KAH |
Stomach |
SENAKA |
SAY-NAH-KAH |
Back |
TSUMASAKI |
T-SOO-MAH-SAH-KEY |
Toe |
YUBI |
YOU-BEE |
Finger |
PARTS OF THE DOJO |
DENKI |
DEHN-KEY |
Lights |
ENGAWA |
EN-GAH-WAH |
Veranda |
GENKAN |
GEHN-KAHN |
Formal entranceway |
ISHI-DORO |
EE-SHEE-DOH-ROH |
Stone lantern |
KAGAMI |
KAH-GAH-MEE |
Mirror |
KAMIDANA |
KAH-ME-DAH-NAH |
A shelf for a Shinto shrine |
KAIDAN |
KAI-DAHN |
Steps |
KOISHITSU |
KOE-EE-SHEE-T-SOO |
Dressing room |
MENJO |
MEN-JOE |
Certificate or license |
MOMIJI |
MOE-MEE-GEE |
Japanese Maple |
NAFUDA |
NAH-FOO-DAH |
Name board |
NIWA |
KNEE-WAH |
Garden |
NOREN |
NO-REHN |
Hanging screen or curtain |
OTEARAI |
O-TEH-AH-RYE |
Bathroom |
ROJI |
ROH-JEE |
Garden path |
SHOJI |
SOH-JEE |
Translucent sliding door |
TATAMI |
TAH-TAH-ME |
Straw mat |
TENJO |
TEN-JOE |
Ceiling |
TOKEI |
TOE-KAY-EE |
Clock |
TOKO-BASHIRA |
TOE-KOE-BAH-SHEE-RAH |
Alcove pillar |
TOKONOMA |
TOE-KOE-NOH-MAH |
Alcove |
TSUKUBAI |
T-SOO-KOO-BYE |
Water basin |
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